1889
The Nectar of Devotion
Draupadī offered Him a container in which there was only a little fragment of some vegetable preparation, and Kṛṣṇa at once ate it. At that moment all of the sages accompanying Durvāsā were taking bath in the river, and when Kṛṣṇa felt satisfaction from eating Draupadī’s offering, they also felt satisfaction, and their hunger was gone. Because Durvāsā and his men were unable to eat anything more, they went away without coming into the house of the Pāṇḍavas. In this way the Pāṇḍavas were saved from the wrath of Durvāsā. Duryodhana had sent them because he knew that the Pāṇḍavas would not be able to receive such a large number, and thus Durvāsā would become angry, and the Pāṇḍavas would be cursed. But Kṛṣṇa saved them from this calamity by His trick and by His all-cognizant quality.
53. Ever-fresh
Kṛṣṇa is always remembered, and His name is always chanted by millions of devotees, but the devotees never become saturated. Instead of becoming disinterested in thinking of Kṛṣṇa and in chanting His holy name, the devotees get newer and newer impetus to continue the process. Therefore Kṛṣṇa is ever-fresh. Not only Kṛṣṇa Himself, but also Kṛṣṇa’s knowledge is ever-fresh. The  Bhagavad-gītā , which was imparted 5,000 years ago, is still being read repeatedly by many, many men, and still new light is always being found in it. Therefore, Kṛṣṇa and His name, fame, qualities—and everything in relationship with Him—is ever-fresh.
All the queens at Dvaraka were goddesses of fortune. It is said in the  Śrīmad-Bhāgavatam , First Canto, 11th Chapter, 29th verse, that the goddesses of fortune are very fickle and restless, so no one can consistently captivate them. Thus one's luck will always change sometime. Yet the goddesses of fortune could not leave Krṣṇa for even a moment when they were residing with Him at Dvaraka. This means that Krṣṇa's attraction is ever-fresh. Even the goddesses of fortune cannot leave His company.
Regarding Krṣṇa’s attractive features being ever-fresh, there is a statement by Rādhārāṇī in the  Lalita-mādhava , in which Krṣṇa is compared with the greatest sculptor because He is expert in chisling