Text 185]
Rūpa Gosvāmī's Meeting with the Lord
103
SYNONYMS
rāya kahe —Rāmānanda Rāya says;  kon —what;  aṅge —subdivision of style;  pātrera praveśa —the entrance of the players;  tabe —at that time;  rūpa-gosāñi —Śrīla Rūpa Gosvāmī;  kahe —continues to speak;  tāhāra viśeṣa —specifically on this matter.
TRANSLATION
Rāmānanda Rāya inquired, “By which subdivision of style do the players enter?” Rūpa Gosvāmī then began to speak specifically about this subject.
TEXT 184
নটতাকিরাতরাজং নিহত্য রঙ্গহলে কলানিধিনা। সময়ে তেন বিধেয়ং গুণবতি তারাকরগ্রহণম্ ॥ ১৮৪ ॥
naṭatā kirāta-rājaṁ nihatya raṅga-sthale kalā-nidhinā samaye tena vidheyaṁ guṇavati tārā-kara-grahaṇam
SYNONYMS
naṭatā —dancing on the stage;  kirāta-rājaṁ —the ruler of the  kirāta  (uncivilized men),  Kaṁsa ;  nihatya —killing;  raṅga-sthale —on the stage;  kalā-nidhinā —the master of all arts;  samaye —at the time;  tena —by Him;  vidheyaṁ —to be done;  guṇa-vati —at the qualified moment;  tārā-kara —of the hand of Tārā (Rādhā);  grahaṇam —the acceptance.
TRANSLATION
“‘While dancing on the stage after having killed the ruler of uncivilized men [Kaṁsa], Lord Kṛṣṇa, master of all arts, will at the proper time accept the hand of Śrīmatī Rādhārāṇī, who is qualified with all transcendental attributes.’ (Lalita-mādhava 1.11)
TEXT 185
‘উদ্‌ঘাত্যক’ নাম এই ‘আমুখ’—‘বীণী’ অঙ্গ। তোমার আগে কহি—ইহা ধাষ্ট্রের তরঙ্গ ॥ ১৮৫ ॥
‘udghātyaka’ nāma ei ‘āmukha’—‘vīthī’ aṅga tomāra āge kahi—ihā dhārṣṭyera taraṅga