124
Śrī Caitanya-caritāmṛta
[Antya-līlā, Ch. 5]
PURPORT
The drama being rehearsed by Rāmānanda Rāya and the two young girls was the well-known  Jagannātha-vallabha-nāṭaka . The songs and dances were meant for the pleasure of Lord Jagannātha; therefore Rāmānanda Rāya was personally giving instructions on how to sing and dance for the drama.
TEXT 15
তুমি ইহাঁ বসি’ রহ, ক্ষণেকে আসিবেন। তবে যেই আজ্ঞা দেহ, সেই করিবেন ॥” ১৫ ॥
tumi ihāṅ vasi’ raha, kṣaṇeke āsibena tabe yei ājñā deha, sei karibena”
SYNONYMS
tumi —you;  ihāṅ —here;  vasi’ —sitting;  raha —just wait;  kṣaṇeke āsibena —he will come within a moment;  tabe —then;  yei —whatever;  ājñā —order;  deha —you give;  sei —he;  karibena —will do.
TRANSLATION
“Please sit here and wait for a few moments. As soon as he comes, he will execute whatever order you give him.”
TEXT 16
তবে প্রত্যুম্ন-মিশ্র তাহাঁ রহিল বসিয়া। রামানন্দ নিভৃতে সেই তুই-জন লঞ্জা ॥ ১৬ ॥
tabe pradyumna-miśra tāhāṅ rahila vasiyā rāmānanda nibhṛte sei dui-jana lañā
SYNONYMS
tabe —then;  pradyumna-miśra —of the name Pradyumna Miśra;  tāhāṅ —there;  rahila vasiyā —remained seated;  rāmānanda —Rāmānanda Rāya;  nibhṛte —in a solitary place;  sei —those;  dui-jana —two girls;  lañā —taking.
TRANSLATION
While Pradyumna Miśra remained seated there, Rāmānanda Rāya took the two girls to a solitary place.