128
Śrī Caitanya-caritāmṛta
[Antya-līlā, Ch. 5]
SYNONYMS
tabe —thereupon;  sei —those;  dui-jane —two young girls;  nṛtya śikhāilā —directed how to dance;  gītera —of the songs;  gūḍha artha —the deep meaning;  abhinaya karāilā —taught how to express by dramatic performances.
TRANSLATION
Rāmānanda Rāya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances.
TEXT 23
সঞ্চারী, সাঙ্গিক, স্থায়ি-ভাবের লক্ষণ ।
মুখে নেত্রে অভিনয় করে প্রকটন ॥ ২৩ ॥
sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa mukhe netre abhinaya kare prakaṭana
SYNONYMS
sañcārī —passing;  sāttvika —natural;  sthāyi —continuously existing;  bhāvera —of ecstasies;  lakṣaṇa —symptoms;  mukhe —in the facial expressions;  netre —in the movement of the eyes;  abhinaya —the dramatic performance;  kare prakaṭana —he demonstrates.
TRANSLATION
He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.
TEXT 24
ভাবপ্রকটন-লাপ্স রায় যে শিখায় ।
জগন্নাথের আগে তুঁহে প্রকট দেখায় ॥ ২৪ ॥
bhāva-prakaṭana-lāsya rāya ye śikhāya jagannāthera āge duṅhe prakaṭa dekhāya
SYNONYMS
bhāva —ecstasy;  prakaṭana —manifesting;  lāsya —feminine poses and dancing;  rāya —Rāmānanda Rāya;  ye —which;  śikhāya —was teaching;  jagannāthera āge —in front of Lord Jagannātha;  duṅhe —both of them;  prakaṭa dekhāya —demonstrated.