Text 97]
Rāmānanda Rāya Instructs Pradyumna Miśra
163
TRANSLATION
All the Vaiṣṇavas praised the drama, saying, “Very good, very good.” They also desired for Śrī Caitanya Mahāprabhu to hear the drama.
TEXT 95
গীত, শ্লোক, গ্রন্থ, কবিত্ব - যেই করি’ আনে ।
প্রথমে শুনায় সেই স্বরূপের স্থানে ॥ ৯৫ ॥
gīta, śloka, grantha, kavitva—yei kari’ āne prathame śunāya sei svarūpera sthāne
SYNONYMS
gīta—song; śloka—verse; grantha—literature; kavitva—poetry; yei—anyone who; kari’—making; āne—brings; prathame—first; śunāya—recites; sei—that person; svarūpera sthāne—before Svarūpa Dāmodara Gosvāmī.
TRANSLATION
Customarily, anyone who composed a song, verse, literary composition or poem about Śrī Caitanya Mahāprabhu first had to bring it to Svarūpa Dāmodara Gosvāmī to be heard.
TEXT 96
স্বরূপ-ঠাঞি উত্তরে যদি, লঞ্জা, তাঁর মন ।
তবে মহাপ্রভু-ঠাঞি করায় শ্রবণ ॥ ৯৬ ॥
svarūpa-ṭhāñi uttare yadi, lañā, tāṅra mana tabe mahāprabhu-ṭhāñi karāya śravaṇa
SYNONYMS
svarūpa-ṭhāñi—before Svarūpa Dāmodara Gosvāmī; uttare—passes; yadi—if one; lañā—taking; tāṅra mana—his mind; tabe—thereafter; mahāprabhu-ṭhāñi—before Śrī Caitanya Mahāprabhu; karāya śravaṇa—causes to be heard.
TRANSLATION
If passed by Svarūpa Dāmodara Gosvāmī, it could be presented for Śrī Caitanya Mahāprabhu to hear.
TEXT 97
‘রসাভাস’ হয় যদি ‘সিদ্ধান্তবিরোধ’ ।
সহিতে না পারে প্রভু, মনে হয় ক্রোধ ॥ ৯৭ ॥