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Śrī Caitanya-caritāmṛta
[Antya-līlā, Ch. 14]
My condition and advise Me how I can become peaceful. That is My desire." 
 Tānava  is described as follows:
udañcad-vaktrāmbhoruha-vikṛtir antaḥ-kulaṣitā 
  sadāhārābhāva-glapita-kucakokā yadu-pate 
  viśuṣyanti rādhā tava viraha-tāpād anudinaṁ 
  nidāghe kuly eva kraśima-paripākaṁ prathayati
When Uddhava returned to Mathurā after visiting Vṛndāvana, Lord Kṛṣṇa inquired from him about Rādhārāṇī and Viśākhā. Uddhava replied as follows: "Consider the condition of the  gopīs ! Śrīmatī Rādhārāṇī especially is in a very painful condition because of separation from You. She has grown skinny, and Her bodily luster is almost gone. Her heart is immersed in pain, and because She has given up eating, Her breast has become black, as if diseased. Because of separation from You, all the  gopīs , especially Rādhārāṇī, appear like dried-up water holes under the scorching heat of the sun."
Malina-aṅgatā  is described as follows:
hima-visara-viśīrṇāmbhoja-tulyānana-śrīḥ 
  khara-marud-aparajyad-bandhu-jīvopamauṣṭhī 
  agha-hara śarad-arkottāpitendīvarākṣī 
  tava viraha-vipatti-mlāpitāsīd viśākhā
Uddhava said to Kṛṣṇa, "O most auspicious Kṛṣṇa, please hear me. The tribulation caused by Your absence has made Viśākhā languid. Her lips tremble like trees in a strong wind. Her beautiful face is like a lotus flower that has withered under the snow, and Her eyes are like lotus petals scorched by the heat of the autumn sun."
Pralāpa  is explained in  Lalita-mādhava  as follows:
kva nanda-kula-candramāḥ kva śikhi-candra-kālaṅkṛtiḥ 
  kva manda-muralī-ravaḥ kva nu surendra-nīla-dyutiḥ 
  kva rāsa-rasa-tāṇḍavī kva sakhi jīva-rakṣauṣadhir 
  nidhir mama suhṛttamaḥ kva tava hanta hā dhig-vidhiḥ
This is Śrīmatī Rādhārāṇī's lamentation for Her beloved Kṛṣṇa, who was away from home. A woman whose husband has left home and gone to a foreign land is called  proṣita-bhartṛkā . Lamenting for Kṛṣṇa in the same way as such a woman laments for her husband, Śrīmatī Rādhārāṇī said, "My dear friend, where is the glory of the family of Mahārāja Nanda, who wears a half-moon ornament on His head? Where is Kṛṣṇa, whose hue is like that of the  indranīla  jewel and who plays so nicely on His flute? Where is your friend, the best of all men, so expert in dancing in the circle of the  rāsa  dance? Where is He who is the real medicine to save