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Šrī Caitanya-caritāmṛta
[Madhya-lilā, Ch. 14]
‘adhīrā’ niṣṭhura-vākye karaye bhartsana karṇotpale tāḍe, kare mālāya bandhana
SYNONYMS
adhīrā —the restless heroine;  niṣṭhura-vākye —by cruel words;  karaye —does;  bhartsana —chastisement;  karṇa-utpale tāḍe —pulls the ear;  kare —does;  mālāya —with a garland;  bandhana —binding.
TRANSLATION
“The restless heroine, however, sometimes chastises her lover with cruel words, sometimes pulls his ear and sometimes binds him with a flower garland.
TEXT 1488
‘ধীরাধীরা’ বক্র-বাক্যে করে উপহাস । কভূ স্তুতি, কভূ নিন্দা, কভূ বা উদাস ॥ ১৪৮ ॥
‘dhīrādhīrā’ vakra-vākye kare upahāsa kabhu stuti, kabhu nindā, kabhu vā udāsa
SYNONYMS
dhīrā-adhīrā —the heroine who is a combination of sobriety and restlessness;  vakra-vākye kare upahāsa —jokes with equivocal words;  kabhu stuti —sometimes praise;  kabhu nindā —sometimes blasphemy;  kabhu vā udāsa —sometimes indifference.
TRANSLATION
“The heroine who is a combination of sobriety and restlessness always jokes with equivocal words. She sometimes praises her lover, sometimes blasphemes him and sometimes remains indifferent.
TEXTY 1499
‘ মুখ্ধা’ , ‘ মধ্যা’ , ‘ প্রগন্স্ভা’ ,—তিন নায়িকার ভেদ । ‘ মুখ্ধা ’ নাছি জানে মানের বৈদ্‌ধ্য-বিভেদ ॥ ১৪৯ ॥
‘mugdhā’, ‘madhyā’, ‘pragalbhā’, —tina nāyikāra bheda ‘mugdhā’ nāhi jāne mānera vaidagdhya-vibheda
SYNONYMS
mugdhā —captivated;  madhyā —intermediate;  pragalbhā —impudent;  tina —three;  nāyikāra —of heroines;  bheda —divisions;  mugdhā —the captivated;  nāhi —