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293
jāne —does not know;  mānera —of jealous anger;  vaidagdhya-vibheda —the intricacies of cunning behavior.
TRANSLATION
“Heroines may also be classified as captivated, intermediate and impudent. The captivated heroine does not know very much about the cunning intricacies of jealous anger.
TEXT 1500
মুখ আচ্ছাদিয়া করে কেবল রোদন । কান্তের প্রিয়বাক্য শুনি’ হয় পরসন্ন ॥ ১৫০ ॥
mukha ācchādiyā kare kevala rodana kāntera priya-vākya śuni' haya parasanna
SYNONYMS
mukha ācchādiyā  —covering the face;  kare  —performs;  kevala  —only;  rodana  —crying;  kāntera  —of the lover;  priya-vākya  —sweet words;  śuni’  —hearing;  haya  —becomes;  parasanna  —satisfied.
TRANSLATION
“The captivated heroine simply covers her face and goes on crying. When she hears sweet words from her lover, she is very satisfied.
TEXT 1511
‘মধ্যা’ ‘প্রগল্ভা’ ধরে ধীরাদি-বিভেদ । তার মধ্যে সবার স্বভাবে তিন ভেদ ॥ ১৫১ ॥
‘madhyā’ ‘pragalbhā’ dhare dhīrādi-vibheda tāra madhye sabāra svabhāve tina bheda
SYNONYMS
madhyā —the intermediate;  pragalbhā —the impudent;  dhare —contain;  dhīrā-ādi-vibheda —the three divisions of  dhīrā ,  adhīrā  and  dhīrādhīrā ;  tāra madhye —among them;  sabāra —of all of them;  sva-bhāve —in nature;  tina bheda —three divisions.
TRANSLATION
“Both the intermediate and impudent heroines can be classified as sober, restless and both sober and restless. All their characteristics can be further classified in three divisions.