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Šrī Caitanya-caritāmŗta
[[Madhya-lilā, Ch. 14]
চলভারং ফারং নয়নযুগমাভুগমিতি সা।
বিলাসাথ্য-স্বালঙ্করণবলিতাসীৎ প্রিয়মুদ্রে ॥ ১৮৯ ॥ ॥
puraḥ kṛṣṇālokāt sthagita-kuṭilāsyā gatir abhūt tiraścīnaṁ kṛṣṇāmbara-dara-vṛtaṁ śrī-mukham api calat-tāraṁ sphāraṁ nayana-yugam ābhugnam iti sā vilāsākhya-svālaṅkaraṇa-valitāsīt priya-mude
SYNONYMS
puraḥ —in front of Her;  kṛṣṇa-ālokāt —by seeing Lord Kṛṣṇa;  sthagita-kuṭilā —stopped and assumed an attitude of crookedness;  asyāḥ —of Śrīmatī Rādhārāṇī;  gatiḥ —the progress;  abhūt —became;  tiraścīnam —being crooked;  kṛṣṇa-am-bara —by a blue cloth;  dara-vṛtam —covered;  śrī-mukham api —Her face also;  calat-tāram —like moving stars;  sphāram —wide;  nayana-yugam —the pair of eyes;  ābhugnam —very curved;  iti —thus;  sā —She (Rādhārāṇī);  vilāsa-ākhya —named  vilāsa ;  sva-alaṅkaraṇa —by personal ornaments;  valita —decorated;  āsīt —was;  priya-mude —just to increase the pleasure of Śrī Kṛṣṇa.
TRANSLATION
“‘When Śrīmatī Rādhārāṇī saw Lord Kṛṣṇa just before Her, Her progress stopped, and She assumed an attitude of opposition. Although Her face was slightly covered by a blue garment, Her two starry eyes were agitated, being wide and curved. Thus She was decorated with the ornaments of vilāsa, and Her beauty increased to give pleasure to Śrī Kṛṣṇa, the Supreme Personality of Godhead.’
TEXT 1903
কৃষ্ণ  -আগে রাখা যদি রহে দাঙ্যএরা ।।
তিন-অঙ্গ-ভঙ্গে রহে জ নাচাঞা ॥ ১৯০ ॥
Krșņa-āge rādhā yadi rahe dāṇḍāñā tina-aṅga-bhaṅge rahe bhrū nācāñā
SYNONYMS
kṛṣṇa-āge —in front of Kṛṣṇa;  rādhā —Śrīmatī Rādhārāṇī;  yadi —if;  rahe —remains;  dāṇḍāñā —standing;  tina-aṅga-bhaṅge —with three bends in the body;  rahe —remains;  bhrū —eyebrows;  nācāñā —dancing.
TRANSLATION
“When Śrīmatī Rādhārāṇī stands before Kṛṣṇa, She stands bent in three places—Her neck, waist and legs—and Her eyebrows dance.