Text 227]]
Performance of the Vrndāvana Pastimes
331
TEXT 226
লক্ষ্মী জিনি’ গুণ যাহাঁ লক্ষ্মীর সমাজ । 
কৃষ্ণ-বংশী করে যাহাঁ প্রিয়সখী-কায ॥ ২২৬ ॥
lakṣmī jini’ guṇa yāhāṅ lakṣmīra samāja kṛṣṇa-vaṁśī kare yāhāṅ priya-sakhī-kāya
SYNONYMS
lakṣmī —the goddess of fortune;  jini' —conquering;  guṇa —qualities;  yāhāṅ —where;  lakṣmīra samāja —the society of the  gopīs ;  kṛṣṇa-vaṁśī —Lord Śrī Kṛṣṇa's flute;  kare —in His hand;  yāhāṅ —where;  priya-sakhī-kāya —a dear companion.
TRANSLATION
“The gopīs there are also goddesses of fortune, and they surpass the goddess of fortune who abides in Vaikuṇṭha. In Vṛndāvana, Lord Kṛṣṇa is always playing His transcendental flute, which is His dear companion.
TEXT 2277
শ্রিন্ন: কান্তা: কান্ত: পরমপুরুষ: কল্পতরবে। 
    ক্রমা ভূমিশ্চিন্তামণিগণময়ী তোয়মমৃতম্ । 
    কথা গানং নাট্যং গমনমপি বংশী প্রিয়সখী 
    চিদানন্দং জ্যোতি: পরমপি তদাস্বাত্মমপি চ ॥ ২২৭ ॥
śriyaḥ kāntāḥ kāntaḥ parama-puruṣaḥ kalpa-taravo drumā bhūmiś cintāmaṇi-gaṇa-mayī toyam amṛtam kathā gānaṁ nāṭyaṁ gamanam api vaṁśī priya-sakhī cid-ānandaṁ jyotiḥ param api tad āsvādyam api ca
SYNONYMS
śriyaḥ —the goddess of fortune;  kāntāḥ —the damsels;  kāntaḥ —the enjoyer;  parama-puruṣaḥ —the Supreme Personality of Godhead;  kalpa-taravaḥ —desire trees;  drumāḥ —all the trees;  bhūmiḥ —the land;  cintāmaṇi-gaṇa-mayī —made of the transcendental touchstone jewel;  toyam —the water;  amṛtam —nectar;  kathā —talking;  gānam —song;  nāṭyam —dancing;  gamanam —walking;  api —also;  vaṁśī —the flute;  priya-sakhī —constant companion;  cit-ānandam —transcendental bliss;  jyotiḥ —effulgence;  param —the supreme;  api —also;  tat —that;  āsvādyam —everywhere perceived;  api ca —also.