334
Šrī  Caitanya-caritāmṛta
[[Madhya-lilā, Ch. 14]
TEXT 2311
রসাবেশে প্রভুর নৃত্য, স্বরূপের গান। ‘বঙ্গ’ ‘বল’ বঙ্গি’ প্রভু পাতে নিজ-কাণ ॥ ২৩১ ॥
rasāveśe prabhura nṛtya, svarūpera gāna ‘bala’ ‘bala’ bali’ prabhu pāte nija-kāṇa
SYNONYMS
rasa-āveśe —in ecstatic mellows;  prabhura —of Śrī Caitanya Mahāprabhu;  nṛtya —the dancing;  svarūpera gāna —and singing by Svarūpa Dāmodara;  bala bala —go on speaking, go on speaking;  bali' —saying;  prabhu —Śrī Caitanya Mahāprabhu;  pāte —extends;  nija-kāṇa —own ear.
TRANSLATION
While Śrī Caitanya Mahāprabhu was dancing in ecstatic love and Svarūpa Dāmodara was singing, the Lord said, “Go on singing! Go on singing!” The Lord then extended His own ears.
TEXT 232
ব্ৰজরস-গীত শুনি’ প্ৰেম উথলিল ।  
 পুরুষোত্তম-গ্ৰাম প্ৰভু প্ৰেমে ভাসাইল ॥ ২৩২ ॥
vraja-rasa-gīta śuni’ prema uthalila puruṣottama-grāma prabhu preme bhāsāila
SYNONYMS
vraja-rasa-gīta  —songs about the mellows of Vṛndāvana-dhāma;  śuni' —hearing;  prema —transcendental bliss;  uthalila —awakened;  puruṣottama-grāma —the place known as Puruṣottama, Jagannātha Purī;  prabhu —Śrī Caitanya Mahāprabhu;  preme —with ecstatic love;  bhāsāila —inundated.
TRANSLATION
Thus Śrī Caitanya Mahāprabhu’s ecstatic love was awakened by hearing the songs of Vṛndāvana. In this way He inundated Puruṣottama, Jagannātha Purī, with love of Godhead.
TEXT 2333
লক্ষ্মী-দেবী যথাকালে গেলা নিজ-ঘর ।  
 প্রভূ নৃত্য করে, হৈল তৃতীয় প্রহর ॥ ২৩৩ ॥