102
Šrū Caitanya-caritāmrta
[[Madhya-lilā. Ch. 20
cāraṇaḥ —dramatic actor;  cetaḥ —heart;  keli-kutūhala —by longing for pastimes;  uttaralitam —greatly excited;  satyam —actually;  sakhe —O dear friend;  māmakam —My;  yasya —of whom;  prekṣya —by seeing;  sva-rūpatām —similarity to My form;  vraja-vadhū —of the damsels of Vrajabhūmi;  sārūpyam —a form like the forms:  aṇvicchati —desires.
TRANSLATION
“ ‘My dear friend, this dramatic actor appears like a second form of My own self. Like a picture, He displays My pastimes as a cowherd boy overflowing with wonderfully attractive sweetness and fragrance, which are so dear to the damsels of Vraja. When I see such a display, My heart becomes greatly excited. I long for such pastimes and desire a form exactly like the damsels of Vraja.’
PURPORT
This verse is found in the  Lalita-mādhava  (4.19).
TEXT 1811
মথুরায় যৈছে গদ্গর্বনৃত্য-দরশনে । পুনঃ দ্বারকাতে যৈছে চিত্র-বিলোকনে ॥ ১৮১ ॥
mathurāya yaiche gandharva-nṛtya-daraśane punaḥ dvārakāte yaiche citra-vilokane
SYNONYMS
mathurāya —at Mathurā;  yaiche —just as;  gandharva-nṛtya —the dance of the Gandharvas;  daraśane —by seeing;  punaḥ —again;  dvārakāte —at Dvārakā;  yaiche —just as;  citra-vilokane —by seeing a picture of Kṛṣṇa.
TRANSLATION
“One instance of Vāsudeva’s attraction to Kṛṣṇa occurred when Vāsudeva saw the Gandharva dance at Mathurā. Another instance occurred in Dvārakā when Vāsudeva was surprised to see a picture of Kṛṣṇa.
TEXT 1822
অপরিকলিতপূর্ব: কশ্চমৎকারকারী স্ফুরতু মম গরীয়ানেষ মাধুর্ষপূর:। অয়মহমপি হস্ত প্রেক্ষ্য যং লুক্কচেতা: সরভসমৃপভোক্তুং কাময়ে রাধিকেব ॥ ১৮২ ॥