Text 105]]
The Opulence and Sweetness of Krşna
287
world, as Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha. In His pastimes in the spiritual sky, He lies down in the Causal Ocean as Kāraṇārṇavaśāyī, the  puruṣa-avatāra . His incarnations as a fish, tortoise and so on are called His causal incarnations. He incarnates in the modes of nature as Lord Brahmā, Lord Śiva and Lord Viṣṇu. He also incarnates as empowered living entities like Pṛthu and Vyāsa. The Supersoul is His localized incarnation, and His all-pervasive aspect is the impersonal Brahman.
When we consider impartially all the unlimited pastimes of the Lord, we find that His pastimes as a human being on this planet—wherein He sports as a cowherd boy with a flute in His hands and appears youthful and fresh like a ballet dancer—are pastimes and features that are never subjected to material laws and inebrieties. The wonderful beauty of Kṛṣṇa is presented in the supreme planet, Gokula (Goloka Vṛndāvana). Inferior to that is His representation in the spiritual sky, and inferior to that is His representation in the external energy (Devī-dhāma). A mere drop of Kṛṣṇa’s sweetness can drown these three worlds—Goloka Vṛndāvana, Hari-dhāma (Vaikuṇṭhaloka), and Devī-dhāma (the material world). Everywhere, Kṛṣṇa’s beauty merges everyone in the ecstasy of transcendental bliss. Actually the activities of  yogamāyā  are absent in the spiritual sky and the Vaikuṇṭha planets. She simply works in the supreme planet, Goloka Vṛndāvana, and she works to manifest the activities of Kṛṣṇa when He descends to the material universe to please His innumerable devotees within the material world. Thus a replica of the Goloka Vṛndāvana planet and the pastimes there are manifest on this planet on a specific tract of land—Bhauma Vṛndāvana, the Vṛndāv
TEXT 105
ভূষণের ভূষণ অঙ্গ, তাহেঁ ললিত ত্রিভঙ্গ, তাহার উপর ক্রধমু-নর্তন । তেরছে নেত্রাস্ত বাণ, তার দৃঢ় সন্ধান, বিক্ষে রাধা-গোপীগণ-মন ॥ ১০৫ ॥
bhūṣaṇera bhūṣaṇa aṅga, tāheṅ lalita tribhaṅga, tāhāra upara bhrūdhanu-nartana terache netrānta bāṇa, tāra dṛḍha sandhāna, vindhe rādhā-gopī-gaṇa-mana
SYNONYMS
bhūṣaṇera —of the ornament;  bhūṣaṇa —the ornament;  aṅga —the limbs of the body;  tāheṅ —that feature;  lalita —delicate;  tri-bhaṅga —bent in three places;