Text 128]
The Opulence and Sweetness of Kṛṣṇa
303
TEXT 127
দুহই গঙ স্বচিক্কণ,                      জিনি’ মণিস্বদর্পণ, 
                                                       সেই দুহই পূর্ণচন্দ্র জানি । 
  ললাটে অষ্টমী-ইন্দু,                      তাহাতে চন্দন-বিন্দু, 
                                                       সেহ এক পূর্ণচন্দ্র মানি ॥ ১২৭ ॥
dui gaṇḍa sucikkaṇa,                      jini’ maṇi-sudarpaṇa, 
                                                       sei dui pūrṇa-candra jāni 
  lalāṭe aṣṭamī-indu,                      tāhāte candana-bindu, 
                                                       sei eka pūrṇa-candra māni
SYNONYMS
dui—two; gaṇḍa—cheeks; su-cikkaṇa—very shiny; jini’—conquering; maṇi-su-darpaṇa—glowing gems; sei dui—those two; pūrṇa-candra—full moons; jāni—I consider; lalāṭe—on the forehead; aṣṭamī-indu—eighth-day moon (half moon); tāhāte—on that; candana-bindu—the drop of sandalwood pulp; sei—that; eka—one; pūrṇa-candra—full moon; māni—I consider.
TRANSLATION
“Kṛṣṇa has two cheeks that shine like glowing gems. Both are considered full moons. His forehead is considered a half moon, and His spots of sandalwood are considered full moons.
TEXT 128
করনখ-চান্দের হাট,                      বংশী-উপর করে নাট, 
                                                       তার গীত মূরলীর তান । 
  পদনখ-চন্দ্রগণ,                      তলে করে নর্তন, 
                                                       নূপুরের ধ্বনি যার গান ॥ ১২৮ ॥
kara-nakha-cāndera hāṭa,                      vaṁśī-upara kare nāṭa, 
                                                       tāra gīta muralīra tāna 
  pada-nakha-candra-gaṇa,                      tale kare nartana, 
                                                       nūpurera dhvani yāra gāna
SYNONYMS
kara-nakha—of the nails on the hands; cāndera—of the full moons; hāṭa—the bazaar; vaṁśī—the flute; upara—on; kare—do; nāṭa—dancing; tāra—of them;