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Śrīmad-Bhāgavatam
[Canto 10, Ch. 1]
spiritual life are the animal hunters, who are not interested in hearing and chanting the holy name of the Lord. Such hunters are always unhappy, both in this life and in the next. It is therefore said that a hunter should neither die nor live because for such persons both living and dying are troublesome. Animal hunters are completely different from ordinary  karmīs , and thus they have been excluded from the process of hearing and chanting.  Vinā paśu-ghnāt . They cannot enter into the transcendental pleasure of chanting and hearing the holy name of the Lord.
The word  mahā-ratha  refers to a great hero who can fight alone against eleven thousand other heroes, and the word  atiratha , as found in text five, refers to one who can fight against an unlimited number. This is mentioned in the  Mahābhārata  as follows:
ekādaśa-sahasrāṇi 
    yodhayed yas tu dhanvinām 
    astra-śastra-pravīṇaś ca 
    mahā-ratha iti smṛtaḥ 
    amitān yodhayed yas tu 
    samprokto 'tirathas tu saḥ
This is the description given in the  Bṛhad-vaiṣṇava-toṣaṇī  by Śrīla Sanātana Gosvāmī.
Māyā-manuṣyasya  (10.1.17). Because of being covered by  yogamāyā  ( nāhaṁ prakāśaḥ sarvasya yogamāyā-samāvṛtaḥ ), Kṛṣṇa is sometimes called  māyā-manuṣya , indicating that although He is the Supreme Personality of Godhead, He appears like an ordinary person. A misunderstanding arises because  yogamāyā  covers the vision of the general public. The Lord's position is actually different from that of an ordinary person, for although He appears to act like an ordinary man, He is always transcendental. The word  māyā  also indicates "mercy," and sometimes it also means "knowledge." The Lord is always full of all transcendental knowledge, and therefore although He acts like a human being, He is the Supreme Personality of Godhead, full of knowledge. In His original identity, the Lord is the controller of  māyā  ( mayādhyakṣeṇa prakṛtiḥ sūyate sa-carācaram ). Therefore the Lord may be called  māyā-manuṣya , or the Supreme Personality of Godhead playing like an ordi-