Text 24]
King Purañjana Goes to the Forest to Hunt
1239
night she simply passed stool, and she preserved that stool in a pot. The next night, when the man came to see her, she appeared very ugly and emaciated. When the man inquired from her about the woman with whom he had an engagement, she replied, “I am that very woman.” The man refused to believe her, not knowing that she had lost all her beauty due to the violent purgative that caused her to pass stool day and night. When the man began to argue with her, the woman said that she was not looking beautiful because she was separated from the ingredients of her beauty. When the man asked how she could be so separated, the woman said, “Come on, and I will show you.” She then showed him the pot filled with liquid stool and vomit. Thus the man became aware that a beautiful woman is simply a lump of matter composed of blood, stool, urine and similar other disgusting ingredients. This is the actual fact, but in a state of illusion, man becomes attracted by illusory beauty and becomes a victim of  māyā .
King Purañjana begged his Queen to return to her original beauty. He tried to revive her just as a living entity tries to revive his original consciousness,  Kṛṣṇa  consciousness, which is very beautiful. All the beautiful features of the Queen could be compared to the beautiful features of  Kṛṣṇa  consciousness. When one returns to his original  Kṛṣṇa  consciousness, he actually becomes steady, and his life becomes successful.
TEXT 24
तस्मिन्दधे दममहं तत्र वीरपत्ति 
  योऽन्यत्र भूसुरकुलात्कृतकित्विषस्तम् । 
  पश्ये न वीतभयमुन्मुदितं त्रिलोक्या- 
  मन्यत्र वै मुररिपोरितरत्र दासात् ॥२४॥
tasmin dadhe damam aham tava vīra-patni 
  yo 'nyatra bhūsura-kulāt kṛta-kilbiṣas tam 
  paśye na vīta-bhayam unmuditam tri-lokyām 
  anyatra vai mura-ripor itaratra dāsāt
tasmin—unto him; dadhe—shall give; damam—punishment; aham—I; tava—to you; vīra-patni—O wife of the hero; yah—one who; anyatra—besides; bhū-sura-kulāt—from the group of demigods on this earth, (the brāhmaṇas); kṛta—done; kilbiṣah—offense; tam—him; paśye—I see; na—not; vīta—without; bhayam—fear; unmuditam—without anxiety; tri-lokyām—within the three worlds; anyatra—elsewhere; vai—certainly; mura-ripoh—of