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Śrīmad-Bhāgavatam
[Canto 5, Ch. 25]
śrī-nārada-gosāñi ‘tumburu’ kari’ saṅge se yaśa gāyena brahmā-sthāne śloka-vandhe
“Bearing his stringed instrument, the  tumburu , on his shoulders, the great sage Nārada Muni always glorifies Lord Ananta. Nārada Muni has composed many transcendental verses in praise of the Lord.”
sṛṣṭi, sthiti, pralaya, sattvādi yata guṇa yāṅra dṛṣṭi-pāte haya, yāya punaḥ punaḥ
“Simply due to the glance of Lord Ananta, the three material modes of nature interact and produce creation, maintenance and annihilation. These modes of nature appear again and again.
advitīya-rūpa, satya anādi mahattva tathāpi ‘ananta’ haya, ke bujhe se tattva?
“The Lord is glorified as one without a second and as the supreme truth who has no beginning. Therefore He is called Anantadeva [unlimited]. Who can understand Him?
śuddha-sattva-mūrti prabhu dharena karuṇāya ye-vigrahe sabāra prakāśa sulīlāya
“His form is completely spiritual, and He manifests it only by His mercy. All the activities in this material world are conducted only in His form.
yāṅhāra taraṅga śikhi’ siṁha mahāvalī nija-jana-mano rañje hañā kutūhalī
“He is very powerful and always prepared to please His personal associates and devotees.
ye ananta-nāmera śravana-saṅkīrtane ye-te mate kene nāhi bole ye-te jane
aśeṣa-janmera bandha chiṇḍe sei-kṣaṇe ataeva vaiṣṇava nā chāḍe kabhu tāne