206 Sri Caitanya-caritamrta [Madhya-lila, Ch. 2

Sial cH afeert™, Sia Fee,
Bl AB AACA tl cw ti

kahan se tri-bhanga-thama, kahan sei venu-gana,
kahan sei yamund-pulina
kahan se rasa-vilasa, kahan nrtya-gita-hasa,
kahan prabhu madana-mohana

SYNONYMS

kahan—where; se—that; tri-bhanga-thama—figure curved in three places;
kahari—where; sei—that; venu-gana—sweet song of the flute; kahan—
where; sei—that; yamund-pulina—bank of the Yamuna River; kahan—
where; se—that; rasa-vildsa—rasa dance; kahan —where; nrtya-gita-hasa—
dancing, music and laughing; kahan—where; prabhu—My Lord; madana-
mohana—the enchanter of Madana (Cupid).

TRANSLATION

Sri Caitanya Mahaprabhu used to lament by saying: “Where is Sri
Krsna, whose form is curved in three places? Where is the sweet song of
His flute, and where is the bank of the Yamuna? Where is the rasa dance?
Where is that dancing, singing, and laughing? Where is My Lord,
Madana-mohana, the enchanter of Cupid?”’

TEXT 57

BlSe1 are Stace, aca Cee Ores,
BATS ACA CHlVTS |
aan faratace, Cad Cee BaaCH,
areal Cotte ont fatenl AFSCS 0 9 Ul

uthila nand bhavavega, mane haila udvega,
ksana-matra nare gondite

prabala virahanale, dhairya haila talamale,
nana sloka lagila padite

SYNONYMS

uthila—arose; nand—various; bhava-avega—forces of emotion; mane—in
the mind; haila—there was; udvega—anxiety; ksana-matra—even for a mo-
