206 Sri Caitanya-caritamrta [Madhya-lila, Ch. 2
Bil cH afer, Ba FAc-em,
Bl AB AACA tl cw ti
kahan se tri-bhanga-thama, kahan sei venu-gana,
kahan sei yamund-pulina
kahan se rasa-vilasa, kahan nrtya-gita-hasa,
kahan prabhu madana-mohana
SYNONYMS
kahan—where; se—that; tri-bhanga-thama—figure curved in three places;
kahari—where; sei—that; venu-gana—sweet song of the flute; kahan—
where; sei—that; yamund-pulina—bank of the Yamuna River; kahan—
where; se—that; rasa-vildsa—rasa dance; kahan —where; nrtya-gita-hasa—
dancing, music and laughing; kahan—where; prabhu—My Lord; madana-
mohana—the enchanter of Madana (Cupid).
TRANSLATION
Sri Caitanya Mahaprabhu used to lament by saying: “Where is Sri
Krsna, whose form is curved in three places? Where is the sweet song of
His flute, and where is the bank of the Yamuna? Where is the rasa dance?
Where is that dancing, singing, and laughing? Where is My Lord,
Madana-mohana, the enchanter of Cupid?”’
TEXT 57
BlSe1 are Stace, aca Cee Ores,
BTS ACA CHET |
otae faretace, cud Caml Baacm,
ater core ertfatenl afSTw 0 ¢9
uthila nand bhavavega, mane haila udvega,
ksana-matra nare gondite
prabala virahanale, dhairya haila talamale,
nana sloka lagila padite
SYNONYMS
uthila—arose; nand—various; bhava-avega—forces of emotion; mane—in
the mind; haila—there was; udvega—anxiety; ksana-matra—even for a mo-
