314 Sri Caitanya-caritamrta [Madhya-lila, Ch. 14
DASA Wiar TIGA SAAS A
Featatar-aiarataasias fauqcy i sea I

purah krsndlokat sthagita-kutilasya gatir abhut
tirascinam krsnambara-dara-vrtam sri-mukham api
calat-taram spharam nayana-yugam abhugnam iti sa
vilasakhya-svalankarana-valitasit priya-mude
SYNONYMS
purah—in front of Her; krsna-dlokat—by seeing Lord Krsna; sthagita-kutila—
stopped and assumed an attitude of crookedness; asyah—of Srimati Radharani;
gatih—the progress; abhut—became; tirascinam—being crooked; krsna-am-
bara—by a blue cloth; dara-vrtam—covered; sri-mukham api—Her face also;
calat-taram—like moving stars; spharam—wide; nayana-yugam—the pair of
eyes; abhugnam—very curved; iti—thus; sa—She (Radharani); vilasa-akhya—
named vildsa; sva-alankarana—by personal ornaments; valita—decorated; asit—
was; priya-mude—just to increase the pleasure of Sri Krsna.
TRANSLATION
“‘When Srimati Radharani saw Lord Krsna just before Her, Her progress
stopped, and She assumed an attitude of opposition. Although Her face was
slightly covered by a blue garment, Her two starry eyes were agitated, being
wide and curved. Thus She was decorated with the ornaments of vilasa, and
Her beauty increased to give pleasure to Sri Krsna, the Supreme Personality of
Godhead.’
TEXT 190
FRSC Tel AH Wz eheotasl |
fen-ey-Se ACS TH ASTM | 9d I)
krsna-age radha yadi rahe dandafa
tina-aniga-bhange rahe bhra nacana
SYNONYMS
krsna-age—in front of Krsna; radha—Srimati Radharani; yadi—if; rahe—
remains; dandafid—standing; tina-anga-bhange—with three bends in the body;
rahe—remains; bhrd—eyebrows; nacafida—dancing.
TRANSLATION
“When Srimati Radharani stands before Krsna, She stands bent in three
places—Her neck, waist and legs—and Her eyebrows dance.
