Text 227) Performance of the Vrndavana Pastimes 331
TEXT 226
arent ferfs’ es] T1kl ema Aa |
Fe-ah seq TS) feragt-s1y 1 agw ii
laksmi jini’ guna yahan laksmira samaja
krsna-vamsi kare yahan priya-sakhi-kaya
SYNONYMS
laksmi—the goddess of fortune; jini’—conquering; guna—qualities; yahan —
where; laksmira samaja—the society of the gopis; krsma-varnsi—Lord Sri Krsna’s
flute; kare—in His hand; yahari—where; priya-sakhi-kaya—a dear companion.
TRANSLATION
“The gopis there are also goddesses of fortune, and they surpass the god-
dess of fortune who abides in Vaikuntha. In Vrndavana, Lord Krsna is always
playing His transcendental flute, which is His dear companion.
TEXT 227
falas Ftats FtBs Tauywas FAwATAL.
wr GAPS atAf TIAN COMATST |
Sal AS ABTS oTATATTAA ah Faryad}
fortars casties tIafF SArAtaAly Bra I
sriyah kantah kantah parama-purusah kalpa-taravo
druma bhimis cintamani-gana-mayi toyam amrtam
katha ganam natyam gamanam api varnsi priya-sakhi
cid-anandam jyotih param api tad asvadyam api ca
SYNONYMS
sriyah—the goddess of fortune; kantéh—the damsels; kantah—the enjoyer;
parama-purusah—the Supreme Personality of Godhead; kalpa-taravah —desire
trees; drumah—all the trees; bhGmih—the land; cintamani-gana-mayi—made of
the transcendental touchstone jewel; toyam—the water; amrtam—nectar;
katha—talking; ganam—song; natyam—dancing; gamanam—walking; api—also;
vamsi—the flute; priya-sakhi—constant companion; cit-anandam—transcenden-
tal bliss; jyotih—effulgence; param—the supreme; api—also; tat—that;
asvadyam—everywhere perceived; api ca—also.
