312 Sri Caitanya-caritamrta [Madhya-lila, Ch. 21

SYNONYMS
smita-kirana—the shining of Krsna’s smile; su-karpdre—compared to camphor;
paise—enters; adhara-madhure—within the sweetness of the lips; sei madhu—
that ambrosia; mdataya—maddens; tri-bhuvane—the three worlds; vamsi-
chidra—of the holes in the flute; akase—in the space; tara guna—the quality of
that sweetness; sabde—in sound vibration; paise—enters; dhvani-rGpe—the
form of sound vibration; pafid—obtaining; pariname—by transformation.

TRANSLATION

“His slight smiling and fragrant illumination are compared to camphor,
which enters the sweetness of the lips. That sweetness is transformed and en-
ters into space as vibrations from the holes of His flute.

TEXT 141
caala colfacs ain, we cofe’ tagcd are,
ACA CTH ACSA ICH |
mal Aootarey sir, = aera sica Bea afe’,
facatae: yasla size 389 Nl

se dhvani caudike dhaya, anda bhedi’ vaikunthe yaya,
bale paise jagatera kane
saba matoyala kari’, balatkare ane dhari’,
visesatah yuvatira gane

SYNONYMS

se dhvani—that vibration; cau-dike—in the four directions; dhaya—runs; anda
bhedi’—piercing the coverings of the universe; vaikunthe yaya—goes to the
spiritual sky; bale—by force; paise—enters; jagatera—of the three worlds;
kane—in the ears; saba—everyone; matoydla kari’—making drunk; balatkare—
by force; dne—brings; dhari’—catching; visesatah —specifically; yuvatira gane—
all the young damsels of Vrajabhami.

TRANSLATION

“The sound of Krsna’s flute spreads in four directions. Even though Krsna
vibrates His flute within this universe, its sound pierces the universal covering
and goes to the spiritual sky. Thus the vibration enters the ears of all inhabi-
tants. It especially enters Goloka Vrndavana-dhama and attracts the minds of
the young damsels of Vrajabhimi, bringing them forcibly to where Krsna is
present.
