44. Srimad-Bhagavatam [Canto 6, Ch. 1

kridanaka-dsaktam—engaged in his play; putram—his_ child;
narayana-ahvayam—named Narayana; plavitena—with tearful eyes;
svarena—with his voice; uccaih—very loudly; djuhdva—called; dkula-
indriyah—being full of anxiety.

TRANSLATION

Ajamila then saw three awkward persons with deformed bodily
features, fierce, twisted faces, and hair standing erect on their
bodies. With ropes in their hands, they had come to take him away
to the abode of Yamaraja. When he saw them he was extremely
bewildered, and because of attachment to his child, who was play-
ing a short distance away, Ajamila began to call him loudly by his
name. Thus with tears in his eyes he somehow or other chanted the
holy name of Narayana.

PURPORT

A person who performs sinful activities performs them with his body,
mind and words. Therefore three order carriers from Yamaraja came to
take Ajamila to Yamaraja’s abode. Fortunately, even though he was
referring to his son, Ajamila chanted the four syllables of the hari-naéma
Narayana, and therefore the order carriers of Narayana, the Visnuditas,
also immediately arrived there. Because Ajamila was extremely afraid of
the ropes of Yamaraja, he chanted the Lord’s name with tearful eyes. Ac-
tually, however, he never meant to chant the holy name of Narayana; he
meant to call his son.

TEXT 30

freq frame gad eftataay |
Aaa AERIT Wet: AAI |Zoll

nisamya mriyamdanasya
mukhato hari-kirtanam

bhartur nama maharaja
parsadah sahasdpatan

nisamya—hearing; mriyamanasya—of the dying man; mukhatah—
from the mouth; hari-kirtanam—chanting of the holy name of the
